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Konarskiego 2, , Siedlce, Poland. Bobryk R. Slavica Tergestina. Trieste, , no 7, pp. Dialog, ale czy rozmowa? In: Kultura tworzona w dialogu cywilizacji Europy. Fiut A. Prywatna historia sztuki Zbigniewa Herberta. Lublin, , vol. Semantyka wypowiedzi poetyckiej. Uciekinier z Utopii. Herbert ; [opracowanie edytorskie Ryszard Krynicki]. Open Journal Systems. User Username Password Remember me. Notifications View Subscribe.
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Font Size. Journal Help. Current Issue. Popular Articles. Such descriptiveness seems to be confirmed by the author's segmentation of the text and at the same time of the presented world into the left side, background and the right side of the picture.
Such division is characteristic for verbal description of a picture as a work of painting and is used by historians of art. But by reading more attentively it reveals that Herbert's poem should be treated not only as a description of the picture, but its interpretation.
Herbert refers not only to the picture, but to external information hagiology. Division of the world in the poem causes stratification on another levels of the text such as narrators. That's why instead of neutral utterance of an external narrator we have utterances of the characters as in masks lyrics.
O poezji Zbigniewa Herberta. Herbert Z. Prywatna mitologia. Wiersze zebrane. Utwory rozproszone Rekonensans. Kaliszewski A. Gry Pana Cogito. Leksykon symboli. Warszawa, , p. Lurker M. Panas W. Lublin, , p. Zalewski W. Remember me.
He resumed publication in the s, initially in the underground press. Since the s, he was nominated several times for the Nobel Prize in literature. Herbert claimed to be a distant relative of the 17th-century Anglo - Welsh poet George Herbert. Herbert was educated as an economist and a lawyer.